Electric Guitar Fl Studio Free

I just recently purchased my first electric guitar. It’s a beginner level Yamaha ERG-121C that came along with a starter pack – basically an amp and some few accessories to get someone jamming right away.

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Soon however it occurred to me that the amp it came with (a 19W Yamaha GA-15), while decent enough for my amateurish needs wasn’t doing much for me in terms of tone options.

To top it off, I wanted to play the guitar through my computer’s headphones as it’s much easier to play along a song that way.

That’s when it all occurred to me I could use a copy of FL Studio that I never got around to using to achieve much of this inexpensively.

Basically it would act as both a “virtual” amp and an effects plug-in so that I could get a variety of real guitar tones from this axe. This is how I went about it.

Step 1: Connecting the Guitar to the Computer

The following is a very cheap starter way of connecting an electric guitar to a computer. Of course, if you have
or can afford a good sound card/audio interface then I assume you
already have this part sorted out and so you can skip to the next section.

My main machine is a Dell OptiPlex 380 tower and I make use of its integrated sound card (Realtek ALC269) for all my audio needs. It has 4 audio jacks: a mic-in and headphone port on the front and speaker (line-out) and line-in ports on the rear side.

In my case I intended to connect the electric guitar on the line-in port on the back, though the mic-in would work too.

Since the line-in port measures 3.5mm, it’s obviously impossible that I could connect the 6.3mm guitar cable jack directly into this port. To get around that I bought a 6.3mm female to 3.5mm male jack adapter that set me back a paltry $0.40.

Adapter

The rest I think is self-explanatory. I just connected the guitar jack into the adapter and plugged it into my line-in port.

Even in this rudimentary set up, the guitar’s clean sound was already audible through my speakers albeit very low despite the guitar volume knob being maxed out. Increasing the line-in boost (dB) from Windows sound settings did however help.

I could even mess around recording myself on Audacity using this simplistic set-up provided the input was set to line-in.

Step 2: Connecting the Guitar in FL Studio

I’m using FL Studio 12 so that’s what I’ll use for this guide.

1. With your guitar connected to your computer or laptop, launch FL Studio.

2. Make sure the Mixer is visible inside FL Studio. If it’s not, toggle it by pressing F9 on your keyboard or by activating it from Toolbar > View > Mixer.

Activate Mixer

3. On the Mixer’s top right corner, you should see the Audio Input Source drop-down menu. Click it to reveal the input options. Mine lists 3 input sources as follows:

  • FL Studio ASIO – Stereo: In 1 – In 2
  • FL Studio ASIO – Mono: In 1 and In 2
Audio Input Sources

(Side note: I think it might be necessary to have installed ASIO4ALL when installing FL Studio for this to work)

4. Try every one of those input sources and find one which picks your Guitar. On mine all three do pick up the guitar but the mono ones sound a tad better compared to the stereo one.

Audio Output Target

5. For the output check beneath the slots for the Audio Output Target menu. On mine it’s automatically set to the only option available there: FL Studio ASIO – Stereo: Out 1 – Out 2.

Step 3: Using FL Studio Guitar Effect Plugins

The Guitar should now be sufficiently audible through your speakers or headphones however the sound at this point is still clean. If you want to ramp up the distortion or play around with some other fancy effects, you’ll first need to activate the VST plugins as follows:

1. Just below the Mixer’s Audio Input Source there are about 9 effects (FX) slots. Click on the first slot and that should open a pop-up menu with a huge list of effect plugins.

2. Take your pick from those effects but if you find that task too overwhelming, I recommend starting with Hardcore.

It has plenty of guitar tones presets; everything from Blues, Classic Rock, Country to some crazy distortion levels with the Death/Doom metal ones.

3. If you want, you can add more effects on the remaining slots and mute/activate them at will using the little green light buttons on their sides. The effect levels for the individual plugins can also be adjusted using the knobs beside the slots.

Beyond these plugins, I’m guessing one can also use the generators (like the FL Slayer one) or in tandem with the plugins but I’m yet to figure that out clearly.

Lastly, should you want to do some recording while playing, just use the record button in the top menu.

Record Button

So that’s it. Now how about you stop reading this and go make some noise for your neighbours.

FL Studio is one of the most powerful music production tools around, with an array of synths and effects available right out of the box. But like most producers, you could probably use a few more plugins! Here we’ve put together some of the best free plugins for FL Studio, which should cover you for almost every imaginable musical scenario.

Sitala

Download for Free

Sitala is a drum plugin that can also be used as a standalone app. Although it is about as simple a drum plugin as you could want, it will find a place in almost any project due to its musicality and highly intuitive interface. Sitala’s six knobs and sixteen pads encourage you to use it as an instrument, which results in more musical beats and grooves.

Best Features & Specs

Sitala features 16 assignable pads that should be familiar to anyone who’s ever used a drum plugin before. You can drag and drop your own samples right into these pads or use the factory kits that come with the plugin.

Sitala also includes an array of sound-shaping tools that lets you put your own stamp on your drum sounds. With features such as ‘Shape’, ‘Compression’, and ‘Tone’, recreating traditional drum beats or more experimental grooves is a piece of cake.

Bottom-line

Like the best free FL Studio plugins, the beauty of Sitala lies in its simplicity. We found that it lets you lay down grooves quickly, and the results are always musical. We especially like how the interface allows you to play it like an instrument.

Piano One by Sound Magic

Download for Free

Sound Magic’s Piano One is reminiscent of the Yamaha C7 concert grand, which is highly revered by many professional piano players. Based on Sound Magic’s Hybrid Modeling Engine, Piano One combines the best qualities of physical modeling and sampling. The result is an amazingly rich and responsive sound that often felt like playing a real piano.

Best Features & Specs

Sound Magic’s Hybrid Modeling Engine does a great job of combining the realism of piano samples and the responsiveness of physical modeling. Unlike other modeled instruments, Piano One responds instantaneously, with no sluggishness or delay. The sound is reasonably rich and full-bodied, particularly when playing sustained low notes. The plugin even comes with an onboard reverb that simulates environment and soundboard resonance for added realism.

Bottom-line

Even with its limitations, Piano One is a pretty impressive piano plugin. If you need a range of basic piano sounds but don’t have the cash for a humongous piano library, Piano One is worth looking into.

TyrellN6 & Zebralette by u-He

TyrellN6 is based on the legendary Roland Juno 60, which is one of the most iconic analog synthesizers ever made. Users of the venerable classic will appreciate the simplicity and ease of use of this plugin, which lets you create deep bass, lush pads, and cutting leads with relatively little effort.

Zebralette isn’t based on any particular instrument. Rather, it is a teaser of sorts for u-He’s well-respected Zebra 2. It has the same great-sounding oscillator that is in Zebra, giving you a taste of what you could achieve with the more fully-featured product.

Best Features & Specs

TyrellN6 and Zebralette give you a pretty diverse range of sounds, from classic to cutting edge. TyrellN6’s classic architecture is the ticket to thick and lush vintage sounds, with noise and a ring modulator joining the two oscillators for extra flavor.

Zebralette is a more esoteric plugin that allows for the creation of more outlandish and experimental sounds. This is a great entry point into the sonic possibilities offered by Zebra 2, and we were thrilled to find that Zebralette patches can be opened in Zebra 2.

Bottom-line

TyrellN6 and Zebralette are compact yet powerful synths that will find a place in any modern production. Even if you already have some powerhouse synths in your collection, these two free VSTs for FL Studio are worthy additions.

Guitar M Lite II

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Guitar M Lite II offers studio musicians the crisp and authoritative sounds of the Martin D-41 acoustic guitar in a convenient software plugin. Developed by Ample Guitar, M Lite is a great way to add glistening acoustic textures to your productions, even if you don’t happen to have a guitar player handy.

Best Features & Specs

M Lite is a sample-based instrument that weighs in at just under 850 MB. It includes standard guitar articulations such as hammer-ons and pull-offs, palm mutes, and pops, allowing you to create surprisingly realistic performances. The plugin also offers Customized Parameters Control (CPC), which lets you add more expressive touches via MIDI CC or automation.

We especially like the plugin’s Strummer function, which allows for some pretty convincing strummed performances. Strumming is where most acoustic guitar plugins fall short as far as we’re concerned, so were pleasantly surprised to find it implemented so convincingly in a free plugin.

Bottom-line

Those with discerning ears aren’t likely to be fooled by M Lite. But if you need some rudimentary acoustic guitar parts for a mockup, this plugin will do very well in a pinch.

LABS by Spitfire Audio

Download for Free

Spitfire Audio’s LABS has created quite a stir in the software plugins world, so we were eager to put it through its paces. At present, the collection already covers a pretty broad range of instruments, and more are being added all the time. And because each instrument is a labor of love by dedicated musicians and sampling experts, the results are consistently impressive.

Best Features & Specs

Each LABS instrument comes in the form of a dedicated plugin, rather than a library you load in a software sampler. We found the user interface to be focused and refreshingly straightforward, with easy to use controls for dynamics and expression. We also like the inclusion of a knob that can be customized for whatever function the user wants.

The LABS collection currently includes strings, guitars, pianos, brass, drums, vocals, percussion, synths, and experimental instruments. Although not quite as detailed as more extensive sampled libraries, we had no trouble making them fit into our productions.

Bottom-line

The LABS instruments are about as straightforward as plugin instruments can be. Even if you already have a collection of software instruments, you will probably find a use for some of these plugins.

Vinyl by iZotope

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iZotope has long been known for its excellent noise reduction and sound improvement plugins. So it was a bit of a surprise when the company rolled out a plugin that adds grit and dirt to audio. With Vinyl, you can dirty up your tracks with a healthy helping of dust, scratches, and mechanical noise, instantly giving them the character of a vintage recording.

Best Features & Specs

As the name implies, Vinyl makes tracks sound like they are being played from a turntable. Ideally suited for every stage of the production process, we found this to be the most convenient solution to get the authentic vibe heard on ’60s and ’70s recordings.

We like how you can control how much ‘pixie dust’ you can add to your tracks. Whether you need just a few cracks and pops, a touch of mechanical noise, or you really want to thrash your audio, Vinyl provides independent control over each element.

Bottom-line

Vinyl works on pretty much everything from drums and strings to full mixes. If your tracks are sounding just a bit too clean, this plugin will let you dirty them up in a few clicks.

Ozone Imager 2 by iZotope

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iZotope’s Ozone Imager 2 offers a quick and easy way to alter the stereo image of your tracks. Whether you need to widen a pad or string section or narrow down your bass and kick drums to fit into a mix, Ozone Imager lets you do so quickly and easily.

Best Features & Specs

The most obvious application of Ozone Imager is to widen an audio track. If you need your synth pad or string section to fill up the soundstage, Ozone Imager will get the job done without imparting any sonic anomalies that could make mixing a nightmare.

Ozone Imager provides two flavors of Stereoize: one lets you widen source audio with a cool phasing effect, while the other widens signals more subtly. The plugin also has three vectorscope meters that give you instant visual feedback on your stereo spread.

Bottom-line

Ozone Imager is a fairly simple plugin that is useful for mixing as well as creative experimentation. If you are struggling to make certain elements fit into a mix, this is one you can try out, of check out or list of other mixing plugins.

Fl Studio Electric Guitar Pack Free Download

MAutoPitch

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MAutoPitch is a pitch correction plugin developed specifically for vocals and monophonic instruments. Simple and straightforward, it is nevertheless capable of producing great-sounding results that compare favorably to more expensive pitch correction plugins. It even has formant shift and stereo-expansion features that expand its capabilities as a creative audio production tool.

Best Features & Specs

Compared to many FL Studio plugins for free, MAutoPitch has quite an impressive user interface. It can be resized freely and has standard meters as well as time graphs. It also has sophisticated multi-parameter features such as mid-side and 8-channel surround processing. We particularly like the onboard safety limiter and the automatic gain compensation (AGC) features that keep levels in check.

All MAutoPitch parameters can be mapped for MIDI control and automation. This enhances the plugin’s value as a creative tool, making it more than just a “set-and-forget” processor.

Bottom-line

From subtle pitch correction to creative sound design, MAutoPitch does it all. If you do a lot of vocal work, this plugin is an essential addition to your toolbox.

Supermassive by Valhalla DSP

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Supermassive is only one of a handful of time-based plugins that form the bedrock of Valhalla DSP’s stellar reputation. The company’s delays and reverbs compare favorably to much more expensive plugins, and their features and capabilities are well known to producers across the globe. With Supermassive, the company once again proves its expertise in developing lush and exquisite sounding plugins, with a few more tricks up its sleeve.

Best Features & Specs

Supermassive is designed specifically to produce spacious and expansive delays and reverbs. Ideally suited for adding atmosphere to dry and lackluster productions, it sounds just as good when dialed down for more subtle ambiance.

Like all Valhalla DSP plugins, Supermassive is freely resizable, with precise controls for every parameter. It is based on a system of feedback delay networks, with each delay ultimately being processed by a unique WARP control. This allows you to produce everything from twinkling echoes to rich and deep reverbs and everything in between.

Bottom-line

Supermassive is easily a great VST for lush ambiance, even able to compete with our list of top VSTs on the market. Even if you already have a couple of favorite reverbs and delays, you will likely find yourself patching in Supermassive every time you need a unique atmosphere in your productions.

Fl Studio Electric Guitar Pack

Guitar

Pancake 2 by Cableguys

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Cableguys’ Pancake 2 handles a variety of panning and imaging functions in a slick and easy to use interface. Like all Cableguys plugins, Pancake 2 offers full control over the most useful parameters, giving you total control over your sound. You also have plenty of options to modulate the source audio as you wish, so you have free rein over your creative vision.

Best Features & Specs

PanCake allows you to set and forget the modulation depth and rate if you wish, although you could also draw in your own modulation curves. This feature is perfect for panning audio in time with the tempo or ramping up the speed for a buildup.

Of course, the plugin’s LFO can be set to sync to your host DAW’s tempo as well. Speeds from ¹⁄₁₂₈ notes to 32 bars are possible, giving you a wide range of movement options. The plugin also has a left/right display so you always know what is going on with your soundstage.

Bottom-line

Like the other top FL Studio plugins out there, Pancake 2 can be as simple or as complex as you wish. Whether you need subtle movement in your tracks or you are looking for more intense panning functions, Pancake 2 is one of the best free plugins for FL Studio.